Tuesday, 10 May 2016

Psalm 37

Trust in the LORD and do good; dwell in the land and enjoy safe pasture.
Take delight in the LORD, and he will give you the desires of your heart.
Commit your way to the LORD; trust in him and he will do this:
He will make your righteous reward shine like the dawn,
your vindication like the noonday sun.
Psalm 37:3-6

This psalm paints a picture of what life looks like for the righteous. Although at times they may be poor (37:16), and sometimes it may take waiting (37:7), God's reward will be with them. He is their stronghold in times of trouble (37:39).

What I see in this chapter, basically, is a life that may not have all of the world's pleasures. In some places, it looks hard. There's waiting. Turning to evil looks like a quick and easy way to become wealthy. In fact, there's really only one reward that the righteous get.

But that reward's worth it. The LORD is the reward of the righteous. While there are side effects (37:4; 'he will give you the desires of your heart', 37:19; 'in days of famine they will enjoy plenty', 37:29: 'the righteous will inherit the land and dwell in it forever'), the reward of the righteous, above and beyond all of those, is the LORD himself.

Take verse 4: Take delight in the LORD, and he will give you the desires of your heart.

At first glance, this may seem like a way to get what you want. Just fulfill the condition in the first part of the verse, and God has promised to give you whatever your heart desires.

However, it's not quite as simple as that. Take delight in the LORD. If your delight is in the LORD, what will be the desires of your heart? To serve Him? To know Him better? To become more like Him? To lift up the broken, the weary, the weak, the destitute? Maybe another way of thinking about the verse is 'Take delight in the LORD, and he will give you the desires of His heart to be the desires of your heart.'

Be still before the LORD and wait patiently for him;
do not fret when people succeed in their ways,
when they carry out the wicked schemes.
Psalm 37:7

Better the little that the righteous have than the wealth of many wicked;
for the power of the wicked will be broken,
but the Lord upholds the righteous.
Psalm 37:16-17

S.D.G.

Saturday, 30 April 2016

Take me deeper than my feet could ever wander

Link to Oceans

You call me out upon the waters
The great unknown
Where feet may fail
And there I find you in the mystery
In oceans deep
My faith will stand

I'm sure many of you are familiar with this song, Oceans, from Hillsong. I'm sure many of you love it. I know I do - it's one of my favourite songs. The bridges especially stand out:

Spirit lead me where my trust is without borders
Let me walk upon the waters
Wherever you would call me

Take me deeper than my feet could ever wander
And my faith will be made stronger
In the presence of my Saviour

But do we actually realize what we're singing in that bridge? We're asking God to take us to where our trust has no borders. No borders at all. No safety. No security. No familiarity. We're saying to God "We're ready to go wherever you send us to do whatever you want us to do. No questions asked."

Do we actually mean that? Are we actually willing to follow God where our trust has no borders? Because if we don't, you could argue that we shouldn't actually be singing the song.

This question was posed (well, posed more as a thought) at a Bible study which I was attending/running on Thursday evening. Are we actually willing to go where our trust has no borders?

If I'm being honest with myself, I'd have to say that no, at the moment, there are situations which would totally stop me in my tracks, situations that I would have no idea what to do with.

But at the same time, I don't want to stay there. I want to know my Father better. I want to experience more of His heart. I want to press in closer to Him. And while Jesus didn't have prerequisites for people coming to Him (stop sinning, get a job, have a shower) he did require change after they did come to Him. Go and sin no more, go and leave your life of sin, stop sinning or something worse will happen to you.

I believe that principle can be applied here. No, maybe I'm not ready to go wherever God leads me. But I'm asking Him to change me, to grow me, to transform me, to mold me into who He wants me to be. And part of that is childlike trust, childlike faith. He wants us to be willing to trust Him completely, to go wherever His Spirit leads us. And that will be difficult. He promised that. (John 16:33). But it will be worth it in the end. Being like Jesus, being with Jesus, will be worth it in the end. When He wipes away every tear from our eyes and says "Well done, my good and faithful servant," everything will be worth it.

It's not up to us to change ourselves into who God wants us to be. That's what He does. Yet in a way, it's totally up to us. This is one of the strange balances in this world, where two things that seem to be complete opposites can and are both completely true. Justice and mercy. Predestination and free will. Working out our salvation with fear and trembling yet also resting in God's love and grace and the completeness of His finished work on the cross.

And in a way, it doesn't matter whether or not I'm ready yet to go wherever God will lead me. We don't need to see the end of the journey. All we need is the next step. I struggle with this. In my humanity, in my brokenness, I want to know how everything is going to work out. I want God to provide me with an exact roadmap of how He is going to deal with me and where He is going to lead me for the rest of my life. But that's not always how God works. He leads us one step at a time. If we always knew exactly where we were going over the next year, over the next five years, over the next ten years, then where would faith be?

Actually, faith requires that we don't know, that we aren't ready. If we're prepared to meet any situation, then we aren't trusting God, we're trusting ourselves.

Oceans isn't a declaration of supreme faith and borderless trust. It's a cry to God to bring us to where He wants us to be. And it's my cry. Father, make me more like you. Lead me where my trust is without borders. More of You and less of me, Lord.

And I will call upon Your Name
And keep my eyes above the waves
When oceans rise
My soul will rest in Your embrace
For I am Yours and You are mine

S. D. G.

Monday, 11 August 2014

On Proving the Nonexistence of God

Let us assume that a divine being exists. Furthermore, this divine being, in addition to being immaterial and supernatural, is also omnipotent and omniscient.

Any divine being possessing these characteristics could blind any non-divine being as to the existence of the divine being, and, if they wished, could make it appear that they never existed. Therefore, it is impossible for any non-divine being to prove the nonexistence of a divine being.

"Ah!" but the sceptic says. "If it is impossible for me to disprove a divine being, it is equally impossible for you to prove one."

Not so. The reason that a divine being can't be disproved is that the possibility of the prescence of a divine being brings any natural processes into question. If we start from the assumption that there is no divine being, then there is no supernatural to confuse the natural.

This reason doesn't prove a divine being, any more than it disproves one. All it does is disprove the disprovability of a divine being.

In summary: A divine being could hide itself, so we can't say there isn't one.


^ ^ ^ That's what I thought of while practicing violin today. It doesn't take into account why a divine being would want to hide their existence, but I didn't think it was necessary in order to make my argument clear.

Any critiques? Thoughts? Feel free to play devil's advocate :)

Saturday, 28 June 2014

More than Epicness

Epicness is not a bad thing. Detailed worldbuilding, sweeping grandeur, and amazing scenes can create a compelling story. The detailed languages of Tolkien's world make it feel authentic. The sheer size of Erebor, of Cirith Ungol, of Minas Tirith, awe us. The finality of the last march of the Ents, of the death-ride of the Rohirrim, can make our hearts burn within our chests and our fists tighten. Tolkien's work resounds with epicness.

But epicness alone isn't enough. Epicness can be a taster to draw in readers, but it shouldn't be the full meal. Give a reader an epic story, and they'll probably remember it. But after it's been read enough times, the epicness wears thin. Reading about the same amazing scenes and magnificent structures over and over again can get tiring.

But not theme. The best books are those that can be read over and over again, each time picking up some new nugget of meaning and insight, some new thread of hope, some new morsel of mental or spiritual food.

Epicness doesn't do that. But theme does. As does characterisation, which is implicitly linked – I believe – with theme. You can't have a resonant theme without strong characters – at least, not without it feeling forced and contrived. Artificial.

Great stories should have great themes. If a reader is going to take the time to read your story, take the time to give them something meaningful, something worthwhile, out of it.

I'm not against epicness. Give your stories all the epicness you can imagine. Make epicness run home to its momma crying. (Semi-inside joke, if you didn't get it). But give them something that will stay with them forever.

Monday, 16 December 2013

NaNoWriMo
















This year was my first time doing NaNoWriMo, and I managed to complete it at 50045 words on the 29th, although I got to 51394 by the end of the 30th. (link to stats) Here's some of the things I learned.

1. Plotting is important to be able to write fast.
I didn't plot out much of my NaNoNovel, but I had a basic idea of what I wanted the next couple of scenes to be about. They might change, but I had a short-term plan for the next few thousand words, and a (somewhat vague) long-term plan, of where I wanted to end the book up at. This meant that I could write much faster.

2. Writing is important.
If you're going to write, you need to do it. You can't just procrastinate and not write, especially if you have a deadline. You have to write. But...

3. Writing isn't important.
Well, it is, like I said above, but it's not the most important thing, by a long way. There are times when other things come before writing, and it's important for writing to not be the most important thing. And this means that sometimes, you may not be able to find the time to finish the project by when you want to. It's a matter of making priorities.

And ... I can't think of any other concrete things which I learned at the moment, yet ... or asphalt either (yes, I know, bad pun...) so I'll sign off and prepare for my next post in three months.

-Jag Swiftstorm

Friday, 13 December 2013

Liebster Award (Tag) x2

I have been nominated for this award twice, once by Scarlet Raptor/Raptor Elytra/etc. at Raptor Hiddenblade's even messier scribblings and once by Hyperlinkzer at The Edge.
First, Raptor:

1. What is your current project?
A currently unnamed epic fantasy.

2. What is your main character’s name?
I have two. One is named Koseph Oldspear. The other is named Empress Tal-Alyssa Neruval Jenikos Viritril Malacan Starblade.

3. What is your main character’s fears?
Alyssa fears that the kingdom may fall.

4. How far are you in your latest project/book?
53228 words.

5. Are you doing NaNoWriMo?
I was.

6. If so, what are you aiming for?
50K.

7. List your five favorite books.

5. The White Lion Chronicles
4. Berinfell Prophecies
3. Binding of the Blade
2. Dragons in our Midst (including Oracles of Fire and Children of the Bard)
1. Lord of the Rings (including the Silmarillion, The Hobbit, and the movie adaptions)

And yes, I know those are series rather than books, but I didn't have a book list already written.

8. What is your characters strengths?
Alyssa is good at leading people. Koseph is (supposed to be) wise.

9. What does your Character like doing?
I'm not sure, they don't have much time to do what they like doing.

10. In your latest project, has anyone died yet?
YES.

And second, Hyper:

1. If you could visit any of the Seven Wonders of the World (ancient or modern), which would you choose, and why?
Probably the canal of Khel-Mithare (one of the Seven Wonders of Arathea :P)

2. Would you rather swim in a pool full of lobsters or one with a single piranha? Explain your decision.
The piranha. I flipped a coin.

3. A plate with a food that you have never tried before is sitting in front of you. It looks absolutely delicious. You are about to dig in, but suddenly a genie appears holding a plate of your very favorite food. He says you may choose one, but if your choice is your favorite food, you will never again have the chance to try the new food. What do you do?
Try the new food.

4. The baddest bad guy you can think of is coming to your house. Your reaction?
*gulp*

5. Would you rather clouds be made of cotton candy or marshmallows?
Marshmallows. Mawshmawwows are what bwings us together today.

6. If you had an Iron Man suit, what would you do with it?
Wear it.

7. An oven crashes through your roof and smashes a bowl of snacks that you were just about to eat. What do you do?
Cook more snacks on the oven.

8. Would you rather be able to jump really high or be really strong?
Jump really high.

9. What do you think about Cheez-its?
What about them?

10. You are skydiving. Suddenly a Pegasus flies past you. You're about to switch on your rocket boots and chase it, but then a flying pig flies past you, going the other direction. You can only catch one. Which do you go after?
The pegasus.

Saturday, 21 September 2013

Sacrifice

This is the first in a (hopefully) series of posts co-written by me and fellow teenage author, R. A. H. Thacker, who can be found at Sunset Rising. This post can also be found at his blog.

No, we’re not talking about human sacrifice. Or maybe we are. But we’re actually talking about self-sacrifice–and not some suicidal tribal custom, either. More specifically, how to use it in fiction.

Why does sacrifice stir our hearts? Why does it affect us like nothing else? Because it is a reflection–a representation–of the greatest sacrifice, of Jesus Christ dying for his creation on a cruel cross on Calvary.

When should a sacrifice be used?

It depends on the specific case. If the story is about sacrifice–and the main character learns that he has to give himself up for others–then the climax will be a likely place for it to fit.

However, a story may not be about sacrifice, but sacrifice may still be part of it. In this case, it should be able to fit anywhere in the story–but it depends on the context.

A character could come to realize that he should be willing to sacrifice himself–not simply sacrificing others. As an example from one of my own novels, I (Robert) had a character come to a crossroads. He was a contestant in something like a bloodsport game. He was faced with a decision that had no turning back from–no second choice if he messed up. He could sacrifice himself for his friends–those he had come to know during the bloodsport–and in the process die himself. Or he could decide to let them be killed and go on himself. Out of love, he gave himself up. Both good and grief came from it, but ultimately it turned out to be the best decision for them all. If things had not turned out for good in his sacrifice, it would still have had no less meaning–life was the greatest thing he had. He had fought for it since he could walk. But then he had given up what he had coveted most for what he had found to be truly what was meaningful to him, his brethren around him.

Sacrifice doesn’t always have to result in death, although often it will. Self-sacrifice can be illustrated through characters just by patient service–being willing to die for something, or willing to live for it.

Therefore, I urge you, brothers and sisters, in view of God’s mercy, to offer your bodies as a living sacrifice, holy and pleasing to God—this is your true and proper worship.
-Romans 12:1 (NIV)

However, this doesn’t discount sacrifice to the point of death. Even to the extent of death, giving yourself up for God and devoting yourself to him is the greatest service possible.

Sacrifice is an expression of love–a great expression.

Greater love has no one than this: to lay down one’s life for one’s friends.
-John 15:13 (NIV)

So should all of your characters be regularly sacrificing themselves? It depends on the character. Some characters will have sacrificial love flowing out of them even in the smallest of manners. But some won’t.

However, having an overabundance of sacrifices can make it lose its value somewhat. Especially in a contemporary story, you probably can’t just kill too many characters off. But living sacrifices–your characters being willing to die for something, even if they don’t die–can be common. We don’t inspire others to sacrifice by writing about characters who don’t do it themselves.

In the case of a death sacrifice, if the character who had sacrificed himself comes back, there must be a good reason, else it will mean nothing. The sacrifice needs to have consequences–needs to affect something–otherwise it seems like a worthless sacrifice, just a plot element that the author needed to have happen but didn’t want to actually kill the character.

In some books–allegories especially–there will be a Christ figure. Someone who sacrifices themselves for the world. For example, Aslan from the Chronicles of Narnia is a clear Christ figure–he is the son of the Emperor-over-the-sea, and came to Narnia to sacrifice himself, so that redemption might come to those who needed it.

This is one of the highest privileges in this world–to be able to tell others of the sacrifice and resurrection of Jesus Christ. We need to make sure that we represent it clearly, so that people aren’t misled by our stories–fiction though they may be.

If you’re writing an allegory of Christ’s sacrifice and resurrection, make sure you check back to the Bible about what the core messages of Christ’s death are. It was out of love that Jesus gave himself up–not for his own sins. And he died that he might save all people.

In the case of a contemporary story, great sacrifices can still be made–even if not to death.

Then Jesus beholding him loved him, and said unto him, One thing thou lackest: go thy way, sell whatsoever thou hast, and give to the poor, and thou shalt have treasure in heaven: and come, take up the cross, and follow me.
-Mark 10:21 (KJV)

Wealth was the man’s greatest possession. He had lived a good life, obeyed all the commandments, but could not give but one final thing–his wealth. The greatest sacrifices lie in what matters most to someone. Your characters can sacrifice without having to die–and their sacrifice doesn’t have to be any less important for it.

We hope this helps for writing sacrifices in your own stories. Obviously, we can’t cover everything in one post. If you have any questions, feel free to post them, and we’ll do our best to answer.

~R. A. H. Thacker and Jag Swiftstorm